The second (?) in a series documenting young experimental artists working in Berlin. Unsurprisingly, I've not heard of any of these names, but I suppose that that's the point. Each artist approaches "strings" in a different fashion: some use stringed instruments as source material, some as main instruments, others as an element of a larger process. In any case, the main watchword here, as is the case in most contemporary experimentation, DECONSTRUCTION.Enjoy?
GP.
1 comments:
Just want to say thanks for posting this. Andrea is great. She carried a piano sound board across Europe with another composer and documented her travels.
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